Der Content-Komplex

AUGMENTED

VIRTUAL

MIXED

DIGITAL

REALITY

DER CONTENT-KOMPLEX

AGENDA

Christian Dominic Fehling, SIKoM+, Bergische Universität Wuppertal
Thomas Hagenhofer, Zentral-Fachausschuss Berufsbildung Druck und Medien

Impuls DIGITAL REALITIES
Der Content-Komplex Hürden & Potenziale
Fallbeispiele HandLeVR, SVL2020
Diskussion
CAD & 3D Content
Workflow CAD → VR
Interaktion & Navigation
Didaktik & Methodik

Eyes & Optics

It consists of this pair of spectacles. While you wear them every one you meet will be marked upon the forehead with a letter indicating his or her character. [...] Thus you may determine by a single look the true natures of all those you encounter.

— The Master Key, L. Frank Baum, 1908

Stand-Alone (Quest, Cosmos, WMR)
Wireless (TP Cast, Intel WiGig)
Eye Tracking & Foveated Rendering

Natural Interfaces

For in dimensino you did not merely see and hear; you participated. You became part of the portrayed situation. You identified yourself with one of the characters, or with more than one of them, and you lived out the action and the emotion. For a time you ceased to be yourself; you became the person of your choice in the drama dimensino created.

— Time is the simplest thing, Clifford Simak, 1961

CLI → GUI → Natural → Spacial
Tracking: Körper → Hand → Finger
Markerless, Gloveless, etc.

Locomotion & Haptics

So Hiro’s not actually here at all. He’s in a computer generated universe that’s drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

— Snow Crash, Neal Stephenson, 1992

Variablen haptischer Interfaces
Output & Feedback-Systeme:
Mechanisch, Kinetisch, Elektronisch, Psychisch?
Input-Mechanics:
Technische Apparate, Inzidentelle Bewegung (HoloRide)

Social Spaces

I’d designed my avatar’s face and body to look, more or less, like my own. My avatar had a slightly smaller nose than me, and he was taller. And thinner. And more muscular. And he didn’t have any teenage acne. But aside from these minor details, we looked more or less identical.

— Ready Player One, Ernest Cline, 2011

Immersion & Flow
Kollaboration, Netzwerke und Avatare
Emotion & Empathie
Facial- & Expression-Tracking

Perception of Reality

A movie that gives one sight and sound [...] taste, smell, and touch. [...] You are in the story, you speak to the shadows and they reply, and instead of being on a screen, the story is all about you, and you are in it.

— Pygmalion's Spectacles, Stanley G. Weinbaum, 1935

Agon:Competition
Alea:Discovery & Chance
Mimicry:Roleplay
Ilinx:Pursuit of Vertigo
(temp.) abolishment of conscious thought
Flow, Presence & Immersion

Frei nach: Les jeux et les hommes (Man, Play and Games), Roger Callois, 1958

Suspension of Disbelieve

And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi, Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach.

— Neuromancer, William Gibson, 1984

Uncanny Valley
Believable Worlds

Monolithen vs. Facilitators
Authoring Tools & Distribution Channels
System-Neutralität & Standardisierung

Der Content-Komplex

Workflows & Potenziale

Der Content-Komplex

Fall 1: Kein CAD vorhanden

Der Content-Komplex

Fall 2: CAD-Daten, (semi-)manuelle Aufbereitung

Der Content-Komplex

Fall 3: CAD-Daten, automatische Aufbereitung

Fallbeispiele

HandLeVR, SVL2020

Diskussion

CAD & 3D Content
...

Workflow CAD → VR
...

Interaktion & Navigation
...

Didaktik & Methodik
...

www.social-virtual-learning.de